Michael Ray, Yves C. Martin
Proceedings of SPIE - The International Society for Optical Engineering
Various techniques of music visualization, music transcription, melody storage, and melody matching have been proposed. However, none of these methods have had as their primary focus the mathematical characterization of melody patterns using an interactive graphics system with a wide variety of controlling parameters. It is difficult to rigorously compare and characterize melodic patterns by ear alone since the listening process is subject to the limitations and artifacts of both memory and perception, as well as individual variations in listener's ability to localize and describe melodic features. This problem is the primary motivation for the system described.
Michael Ray, Yves C. Martin
Proceedings of SPIE - The International Society for Optical Engineering
David S. Kung
DAC 1998
Robert E. Donovan
INTERSPEECH - Eurospeech 2001
Frank R. Libsch, S.C. Lien
IBM J. Res. Dev